Tecnológico de Monterrey

Long-term collaboration as a lecturer at Tec, including 30+ (semester) courses, and 20+ (1-4 weeks) workshops. 

Flying Fish Over Mexico visual theater I Tarahumara Project video installation I The House of My Dreams short film I Myths MX arts event I The Barbaric Country website I Barbaric Portraits digital media I Poetry Marathon literature event I Family Tree film project.

PROJECTS
UNIVERSITY
 
 
 

Pedro Valiente’s collaboration with Tecnológico de Monterrey spans over 30 semester-long courses and 20 intensive workshops across several campuses. He led projects on film/media, visual theater, and digital art in the frame of Work Integrated Learning.
— External Review
 
 

Tecnológico de Monterrey

2004-2006 / 2012-2017 I Mexico

University

Long-term collaboration at Tecnológico de Monterrey (2004-2017) as full-time and part-time lecturer, including 30+ (semester) courses, and 20+ (1-4 weeks) workshops.

COURSES Film Directing, Screenwriting, Film Production, Television Production, Theater Production, Audiovisual Narrative, et al. CAMPUSES 2012-2017 Chihuahua I 2015 Sonora I 2006 Querétaro I 2005-2006 Mexico City I 2004-2005 Mexico State PROJECTS Visual Theater: Flying Fish Over Mexico I Video Installation: Tarahumara Project I Short Film: The House of My Dreams I Arts Event: Myths MX I Literature Event: Poetry Marathon I Website: The Barbaric Country I Digital Media: Barbaric PortraitsFamily Tree.

 

"I’ve worked in university in the frame of Work Integrated Learning (WIL) since my first position ever at Tecnológico de Monterrey, Mexico City, Mexico State, and Querétaro (2004-2006). Then, I returned to collaborate at Tec Sonora Norte (2017), and Tec Chihuahua (2012-2017) where I worked with a full generation of students. Among other projects, we made films, visual theater, video art, digital media, websites, arts events, and a literature event." — PV

BEHANCE
 

Tec21

"Tec21 Educational Model allows you to choose your career and make your profile unique as a graduate in order to be a more competitive being with skills to face world challenges successfully. The model has three stages and since the first semester you will experience training units that have competencies development objectives (knowledge, skills, attitudes and values)." Created in 1943, Tecnológico de Monterrey branches out through near thirty campuses all over Mexico. A few years ago the values that govern the institution were redefined: "Innovation: We generate and realize ideas, break paradigms, take risks and learn from our mistakes." — Tecnológico de Monterrey I World Bank I Reimagine Education I Tec21 Model

 
 

"Flying Fish Over Mexico marked my first response to university life. After transitioning from the New York Film Academy, I moved to Mexico to teach for the first time at Tec. I arrived in Mexico State in late July, and by November, we premiered this theater-dance project at the Tec Auditorium. We also presented it at the Teatro Salvador Novo in February. The project attracted a diverse group of external contributors, lecturers, and students, who later collaborated with me on projects for Televisa’s Espacio Cine and the Cancun Riviera Maya International Film Festival.

Tarahumara Project is a particularly meaningful artistic endeavor. It owes much to the support of the Tarahumara Pueblo and several key individuals: Ivonne Juárez, Virginia Aceves, Isaac Estrella, and Jorge del Rivero at Tec, as well as María José Valles from Municipio de Chihuahua, and Enrique Servín from the Instituto Chihuahuense de la Cultura. This video installation was made possible through the collaboration with the Tourism Board of Chihuahua State. The House of My Dreams is a short film that was produced in just one day and completed within a month. This work was part of a broader Transversal Program that involved students, lecturers, artists, and professionals. It engaged a wide community, including local museums, the press, families, and friends.

Myths MX serves as a dynamic showcase blending dance, writing, digital media, and photography. As the Communication Director for Crossing Stages, co-funded by the European Union at UC3M, I had the opportunity to connect both institutions. Tec students played a crucial role in producing digital media for the project. The Barbaric Country is a website created in just five days for Semana i (Innovation Week), developed by students from various fields, including Architecture, Engineering, and Law. This team produced graphic design, fiction and non-fiction writing, digital media, and photography. Barbaric Portraits explores the concept of barbaric as a reflection of Chihuahua’s people spirit.

I also coordinated a staged reading by Dr. Mary Hernández and students during the Poetry Marathon organized by the city at Pancho Villa Park. Lastly, the Family Tree documentary film project, where students uncover extraordinary stories while researching their family history, involved two universities and four campuses." — Pedro Valiente

Work Integrated Learning

 
 

VISUAL THEATER

Flying Fish Over Mexico (2004-2005, Mexico/Spain, 60:00) visual theater by Pedro Valiente

Visual theater-dance

SYNOPSIS Flying Fish Over Mexico visual theater-dance exploring the origins of humans and the Mexican identity. The story follows two parallel plots. The love of Gondwana and Laurasia, the two continents in which the original megacontinent Pangea split up, and views of Mexican cultures. As a physical and emotional mirror of both: Butoh, Japanese avant-garde dance, shows inner meanings: the search of love inside humans and the search of a common identity in a nation soul.

CAST Endless Lovers: Leopoldo Rivera, María Sandoval I White Dancers: Denise Barber, Rolando Martínez, Nadia Zúñiga, Adrián Hernández, Rodrigo Leal, César Rodríguez, Francia Castañeda, Sergio Solís I Wise Children: Roberto Castelló Lima, Tamara Henaine I Original Souls: Rafael Furlong, Rosario Dávila CREW Director/writer/producer: Pedro Valiente I Choreographer: Evelia Kochen I Producer: Guadalupe Lima I Assistant director: Leopoldo Rivera I Assistant choreographer: Adrián Ladrón I Stage coordinators: Óscar Pérez, Griselda Pérez I Stage assistant: Aaroon Buendía I Costume/Makeup: FFW I Technical director: Jesús Treviño I Technical coordinator: Sue Ellen Bernal I Camera operators: Juan Carlos Bonilla, I Víctor Manuel Vega, Liliana Cortés I Lighting: Miguel Ángel Tavera I Visual coordinator: Rodrigo del Campo I Video: Bruno Schauwecker I Sound coordinator/public relations: Luís García TECH INFO Title: Peces Voladores Sobre México I Running time: 60:00 I Year: 2004-2005 I Language: Spanish I Visual theater-dance I Country: Spain/Mexico I © 2004-2005 FFW

Flying Fish Over Mexico is a production by Flying Fish Work with the support of the National Center for the Arts through the National Theater School in Mexico City in 2005, and Tecnológico de Monterrey in 2004. [Peces voladores sobre México, Centro Nacional de las Artes, Escuela Nacional de Teatro, Teatro Salvador Novo] I Site


"What connects Pangea, Mexico, and Asia? The early history of Earth's continents and their movements suggests that the first settlers of the Americas arrived from Asia through the Bering Strait. From this, we can imagine a world where the ancient peoples of America meet their Eastern counterparts in a shared, mystical space. This encounter, we might envision, happens in a very specific moment in the universe's timeline—before the eagles and snakes, symbols of Mexico's flag, took flight. It is a time of wonder, when flying fish glided over Mexico’s shores, and the first Mexicans gazed at themselves with innocent eyes, dreaming of the future.

In this world of boundless possibility, we are reminded of the endless lovers —Gondwana and Laurasia— who, through the passage of time and space, are reborn as men and women whose love never ceases. Wise children, perhaps of the Indigo kind, carry the light of their boundless blue, symbolizing an eternal cycle of encounters and separations. The White Dancers embody the profound cycle of birth, life, and death, expressed through the radical intimacy of Butoh dance. And finally, the Original Souls represent the pre-Hispanic visions of Mexico's genesis and the origins of human life." — PV

The Earth Splits in Two


Flyig Fish Over Mexico trailler

"Choreographer Evelia Kochen did an extraordinary work bringing dance to students in the Theater School at CNA. Later, cast members created theater companies such as Nadia Zúñiga (El Ensamble, Teatro Playback Barcelona), Francia Castañeda (Teatro Emtre2), and Adrián Hernández (Teatro Al Vacío). On the Tec side, we did further work on Televisa, Cancun Riviera Maya International Film Festival, and beyond. Luís Garcia, Bruno Schauwecker, and Víctor Vega secured careers in media. Leopoldo Rivera became CEO and health master. Sue Ellen Bernal is a state congresswoman. They all are close friends and partners in life. Guadalupe Lima was an essential creative and producing force in all these projects in Mexico. Thank you all." — PV

Mexican Talent

 
 

INSTALLATION

Tarahumara Project (2024, Spain/Mexico, 7:00) video installation by Pedro Valiente

Video installation

SYNOPSIS Tarahumara Project is a look of the soul. A recollection of hidden memories. Father, mother, daughter, son, and grandmother enter the scene to establish a rare dialogue with television monitors in Sierra Taragumara. Images of the elements (earth, air, water, fire) as an invasion of modern times enter their ancient way of life. Tarahumara are Native American people of Northwestern Mexico renowned for their long-distance running ability. Originally inhabitants of Chihuahua State, the Rarámuri retreated to the Copper Canyon in the Sierra Madre Occidental on the arrival of Spanish explorers in the 16th century. I FFW

CAST Two Tarahumara families: Father, Mother, Baby, Daughter, Son, Grandmother CREW Director/producer: Pedro Valiente I Producer: Eugenio Valles I Executive producer: Virginia Aceves I Postproduction producer: Isaac Estrella I DP: Mario Gutiérrez I Photography: Leonardo Martínez I Production coordinator: Pamela Pérez I Editor: Luis García I Video art editors: Didi Trujillo, Brandon Varela THANKS Tarahumara pueblo, Valles Medina family I Ivonne Juárez, Virginia Aceves, Isaac Estrella, Jorge del Rivero, Tecnológico de Monterrey I María José Valles, Municipio de Chihuahua. In memoriam, Enrique Servín, Instituto Chihuahuense de la Cultura TECH INFO Title: Tarahumara Project I Running time: 7:00 I Format: HD video, color & black/white I Country: Spain/Mexico I A production by Flying Fish Work and Tecnológico de Monterrey Chih. with the support of the Tourism Board of Chihuahua State, Mexico I © 2013-2024 Flying Fish Work. I IMDb I Site


"Still figures in a moon-like landscape with modern technology seem extrangely natural. Surrealistic and beautiful. There is something about a family facing together anything in life: good or bad. In this case, two Tarahumara families confronted a Mexican/Spanish crew who wanted them to pose still in front of a camera surrounded by television monitors. It was fascinating to observe their reactions and gestures. And a true priviledge." PEDRO VALIENTE, director "One of my tasks was to communicate with our characters. Rarámuri language belongs to the Uto-Aztecan family. Many of them don’t speak Spanish. So, the daughter translates my indications to each person on set. I tell them: ’Enter, stay, walk…’. I never imagined that one day I was going to talk to fellow Mexicans on this way. It was really an incredible experience". EUGENIO VALLES, producer "We filmmed one day a family near a cliff and the next day another one in La Charca de las Ranas. Characters appear along with the elements (earth, air, water, fire) as a counterpoint. Somehow, there is armony: its their natural environment. And then an artificial dialogue is constructed with the presence of contemporary equipment. Of course, all under intense sunlight!!" MARIO GUTIÉRREZ, DP "I work a lot with people in the streets. I love urban portraits. So it was a great opportunity to be close to this culture. Capturing Rarámuri expressions is like jumping into the void: you don’t know what you will find." LEONARDO MARTÍNEZ, photography "The Rarámuri were never conquered when the Spanish arrived in the 1500s. Nowadays, most ot them still practice a traditional lifestyle. We all approach this challenging and unique project with respect for this enigmatic pueblo." ISAAC ESTRELLA, postproduction producer "My training in International Relations and my career as social coordinator meet through the contact with communities. Filmming this video art piece I found amazing human qualities. Rarámuri people speak quite a lot in silence." PAMELA PÉREZ, production coordinator​​​​​​​

Tarahumara Project closes Multiple Portraits video installations trilogy, and it’s connected with other productions: The Barbaric Country website (llinked to online platforms and media including videos on Vimeo, music on YouTube), and Barbaric Portraits digital media.

Tarahumara Project I Multiple Portraits I The Barbaric Country I Barbaric Portraits

When Surreal is Real

 
 

SHORT FILM

The House of My Dreams (2016, Mexico/Spain, 18:11) by Pedro Valiente

Short film

SYNOPSIS "Magical tale of a man that never lived in his house. Beautiful and sometimes disturbing presences appear in his dreams as he wonders how was life for the ones who inhabited his haunting mansion." I IMDb

CAST Ana Gabriela Huerta, Emilio Valenzuela, Camila Anchiondo, Sara Rascón, María Ofelia Sánchez, Daniela Ortega, Salvador Carbajal, Ana María Lafón, Virginia Aceves, Gonzalo García CREW Director/writer/producer: Pedro Valiente I Producer/AD: Ana Gabriela Huerta I Executive producers: Virginia Aceves, Martha Soto I Production supervisor: Isaac Estrella I DP: Ana María Lafón I Sound design: René Gutiérrez I Sound: Edgar Muñoz I Editors: Julio Haro, Danna Valenzuela I Production/costume: Lizbeth Rubio I Production/makeup: Belén Avella

ORGANIZER Tecnológico de Monterrey, Chihuahua PARTNER Quinta Gameros, Centro Cultural Universitario, Universidad Autónoma de Chihuahua SCREENINGS Quinta Gameros, Mx I Arts University Plymouth, UK TECH INFO Title: La casa de mis sueños I Running time: 19:00 I Year: 2016 I Language: Spanish I Subtitles: English I Format: HD video, color I Country: Mexico/Spain I © 2016 Tecnológico de Monterrey, Chih. I Flying Fish Work

OVERVIEW La casa de mis sueños is based on the real story of Quinta Gameros, art nouveau mansion and national museum built in 1917 in Chihuahua, Mexico. It opened its doors for the first time for a film production which premiered in 2017 in a public screening to a great audience with the presense of special guests and local press. The event was fully managed by students including production and sponsors. I Site


EUROPEAN PROJECT Myths MX is an outreach activity linked to Crossing Stages (2013-2015) European Project connecting young artists with classic myths, co-funded by the European Union, coordinated by Universidad Carlos III de Madrid. Arts / Science / Technology (2014) event at Pontifica Universidad Católica de Chile presents conferences and workshops. Pedro Valiente delivers a talk on Crossing Stages, and participates in Transmedia Workshop by Phillip Baldwin, Stony Brooks University, New York. MUSEUM Quinta Gameros art center opens its doors for the first time ever for a film production i(2016, and a public screening (2017) to a great audience with the presense of special guests and local press. The event was fully managed by students including production and sponsors. POETRY MARATHON Pedro Valiente coordinates a reading/performance by Dr. Mary Hernández and students for Poetry Marathon (2013) organized by the City's Culture Department in Pancho Villa Park, Chih.

Tecnológico de Monterrey, Chih. develops a cross-curricular program with students and lecturers from different courses at BA Communication. including Mexican lecturers Guillermo González Montes, Galileo Galaz, Addina Hazel Carbajal (CUEC, UNAM), Pedro Valiente (UC3M). The House of My Dreams is a program’s outcome.

Filmmaking

Poetry


The House of My Dreams (18:11)

"My name is Manuel Gameros. I asked to build my house in 1907. It was finished three years later. Then, the Mexican Revolution exploded, and it was confiscated. Pancho Villa and the chief of the army, Venustiano Carranza, managed to reside in the house. I had to escape to the United States with my wife and daughter. We never lived in the house. I have often wondered how was the life of the ones who inhabited the house in the following years. They appear in my dreams as presences. Or maybe as memories that never existed." --The House of My Dreams

 
 

ARTS EVENT

Myths MX (2014, Mexico) arts event directed by Pedro Valiente

Live Event

OVERVIEW Myths MX presents different disciplines connecting new generations of Mexicans with classic myths. Students produce film/digital media, photography and writing. They teamed up with guest speakers, a professional dance company, and the management team at Quinta Gameros Museum which hosted a Transversal Program at Tecnológico. I Site 

CREW Arts event by students from BA Communication, Tecnológico de Monterrey, Chihuahua I Producer: Isaac Estrella, lecturer I Supervisor: Virginia Aceves, BA director I Myths MX director: Pedro Valiente, visiting lecturer

ORGANIZER Tecnológico de Monterrey, Chihuahua PARTNER Quinta Gameros Museum, Centro Cultural Universitario, Universidad Autónoma de Chihuahua COLLABORATOR Crossing Stages European Project, Universidad Carlos III de Madrid TECH INFO Title: Miitos MX I Running time: 60:00 I Year: 2014 I Language: Spanish I Country: Mexico/Spain I © 2014 Tecnológico de Monterrey, Chih.


Myths MX was recorded by a multi-camera media team, attended by a large audience, and covered by local press including Televisa TV. Students contacted journalists from newspapers, radio and television, and organized a tour of interviews for several media. It was a unique experience at Tec connecting with local institutions, companies, artists, and professionals.

Live Event

Myths MX includes photo and creative writing by Tec students. They also did the event script, and managed the whole production with focus on the interdisciplinary spirit of the project. 

Media

Contemporary dance choreographer Cynthia Correa and her dance company turned into an essential part of Myths MX. Cynthia performed using a video camera that projected her moves on a screen creating a dialogue between dance and film.

Dance


Crossing Europe (30:00)

MEXICO Myths MX is an international outreach activity connected with Crossing Stages European project on classic myths coordinated by Universidad Carlos III de Madrid. I CHILE Arts/Science/Technology event at Pontifica Universidad Católica de Chile presents Artist Talk on Crossing Stages by Pedro Valiente who also collaborated in Transmedia Workshop I Quinta Gameros 

Myths MX I Behance Series: Uranus and Gea, Oniris, Nemesis

Myths MX


Urano and Gea (3:46)

Nemesis (2:16)

Oniris (4:03)

 
 

WEBSITE

The Barbaric Country (2013, Mexico) website at Semana i (Innovation Week), Tecnológico de Monterrey, Chih.

Website

OVERVIEW Website with content created by students including fiction and non-fiction writing, photography, digital media as well as music curating. Ste and logo were designed by Marlyn Chacón and Karla Ramírez with art direction by Pedro Valiente. The Barbaric Country website was produced in five days during Semana i 2013 (Innovation Week) with students mostly from BA Architecture, BA Engineering, and BA Law.

CREW Designers: Marlyn Chacón / Karla Ramírez, et al I Coordinator: Virginia Aceves, Head of Media Department I Project director: Pedro Valiente TECH INFO Title: El País Bárbaro I Website I Year: 2013 I Language: Spanish I Country: Mexico I © 2013 Tecnológico de Monterrey, Chih. I Site I Behance

"Bárbaro" (barbaric) is a historical/sociological name to honor the brave people living in the harssh land called The Barbaric Country, Chihuahua City and State. In Mexico, it also refers to something major or extraordinary. I The Barbaric Country is a transmedia project connected with other productions and platforms including videos on Vimeo, music on YouTube, and Barbaric Portraits, digital media made for the website under the same theme.


Semana i promotes "global vision, entrepreneur spirit, and human awareness" in the context of innovation in education. "Tec21 Educational Model allows you to choose your career and make your profile unique as a graduate in order to be a more competitive being with skills to face world challenges successfully." Transversal Program Tecnológico de Monterrey, Chih., also started a program connecting students and lecturers from different courses. This cross-curricular project included guest lecturers/professionals from Mexico and Spain. I Innovation Week YouTube

The Barbaric Country

 
 

DIGITAL MEDIA

Barbaric Portraits (2015, Mexico, 3:35) digital media series coordinated by Pedro Valiente

Digital Media

OVERVIEW Retratos bárbaros explores basic human feelings, sadness and happiness in a place that history and cultural tradition named The Barbaric Country honoring the spirit of the people in the State of Chihuahua, Northern Mexico. A harsh land that has demanded over the years a great resilience from men and women brave at heart.​​​ I Site

CAST Luis Rodríguez, Nancy Rivas, Brenda Barcelata, Eduardo Ramírez, Erick Carrillo. Karina Chánez, Xiadani Carbajal, Brenda Ornelas, Daniela Anthua, Alain Martínez, Isabel Esparza, Carolina Ramírez CREW: Director/DP: Luis Rodríguez I Producer: Eduardo Ramírez I Editors: Nancy Rivas, Brenda Barcelata TECH INFO Title: Retratos Bárbaros I Digital media I Year: 2015 I Running time: 3:35 I Format: HD video, black & white I Country: Mexico I  © 2015 Tecnológico de Monterrey, Chih. I Barbaric Portraits Vimeo


Barbaric Portraits (3:35)

Retratos bárbaros keeps the title of the whole series ​​of brief media works for an intensive one-month Filmmaking Workshop at BA Communication. Different crews selected (10) characters to develop film skills on both indoors and outdoors. In the studio, filmmakers work with friends/colleagues using extra equipment. In the streets, they face unknown people and external shooting conditions. Aesthetic and technical conditions including: (1) Focus on directing and performance (2) Use middle shot (3) Keep camera still (4) Black/white.

Barbaric Portraits

 
 

DOCUMENTARY FILM

Family Tree (2006, Mexico/Spain, 30:00) film project by Pedro Valiente

Documentar Film Project

SYNOPSIS The past can be a thrilling journey that may change your life. Family Tree tells the story of a group of young boys and girls in Mexico City who face a challenge: to create a family tree. What starts as a school project becomes a thrilling journey that may change their lives.

CAST Students: Cuauhtémoc Amda Castro, Elise Baluelos Ortiz, René Gerardo Camiruga Gutiérrez, Ana Catalina Colín Sñanchez, CArolina Flores Bustamante, Jesía René Flores Castellanos, Alfredo Garbuno Iñigo, Stephannie MOrato, Susana Alicia Rivero Rodríguez, Diego Tomás Mackey, Adriana Berenuce Valencia Älvarez, Adriana Nohemí Velázquez Burciaga I Professor: Guadalupe Lima CREW Director/Writer/Producer: Pedro Valiente I Executive producer: Guadalupe Lima I Associate producer: Luis García I DP: Bruno Schauwecker I Animation/graphic design: Michelle Arellano I AC: Ricardo Bustamante / Production coordiantor: Stephannie Morato I Production assistants: Manuel Escalante, Carlos Boussart I Visual research: Sara Conde TECH INFO Title: Árbol Genealógico I Running time: 30:00 I Format: HD video I Language: Spanish, Subtitles: English I Country: Mexico/Spain I A film with the support of Universidad Anáhuac Norte and Tecnológico de Monterrey, Mexico State I © 2006 Flying Fish Work

OVERVIEW In Árbol genealógico, mostly through grandparents who disclose hidden secrets, studebts learn incredible family stories --a missing father happens to be Cuban, both grandparents fought in the Spanish Civil War, a mysterious woman discovers a treasure in an enchanted house, a woman married three husbands, a grand-grandmother became a hero at the Mexican Revolution, a grand-daughter discovers that her grandfather was a slave, and a swimmer is in love. I Site


Swimmer and Love (00:19)

Grand-daughter and Slave (00:15)

Two Men and War (00:15)

"CROSS-DISCIPLINES Tecnológico de Monterrey I Universidad Anáhuac Norte. The project asks what happens in our family. Are hidden stories expecting to be unfold? The idea for a non-fiction film turned into a wider practice. Fiction and animation landed into the work-in-progress. PEDRO VALIENTE as part-time lecturer at Tec Mx City and Anáhuac, connected both. CROSS​​​​​​​-GENERATIONS Tecnológico Mexico State. Family Tree presents eleven 17yrs boys/girls at Interdisciplinary Program for outstanding students. Real families that representing many in Mexico. GUADALUPE LIMA, full-time psychologist/lecturer at Tec Mx State, designed the assignment: making a family tree. A school task became a life aventure: students eager to discover, parents and grandparents moved by their memories, and lecturers documenting, in words of Dziga Vertov, life as it is. CROSS-UNIVERSITIES Tecnológico Chihuahua. Lecturers from Tec MX City and MX State. Crew from Tec MX State and Anáhuac. Characters from Preparatoria at Tec MX State. Later, Pedro Valiente worked at Tec Chih. where artist MICHELLE ARELLANO created animation and graphic design. Two universities, four campuses." — FFW

Woman in White and Enchanted House (00:15)

Woman and Three Husbands (00:15)

Grand-grandmother and Revolution (:8)1

[SPANISH] "No creo tener una historia que contar, quizá podría hablar de cómo el hermano de mi papá se gastó la fortuna familiar y mi papá se las tuvo que ingeniar para salir adelante cuando perdieron el rancho a causa de mi tío." ADRIANA VALENCIA I "La única historia sobresaliente es la de mi bisabuelo, papá de mi abuelo paterno, que vivía en un pueblo de Guadalajara, y se vino a la ciudad a vivir. Era maestro y no le alcanzó el dinero para estudiar medicina. Lo interesante es que fue Caudillo del Partido Comunista de México, perseguido por traición a la Patria. Al principio mi bisabuela no me quería contar, pero insistí." I CUAUHTÉMOC ANDA "Mi tatarabuela Concepción enviudó tres veces. Se casó con mi tatarabuelo a pesar de que él era pobre, y ella se separó de su familia porque no aceptaba el noviazgo." STEPHANNIE MORATO

Script

"Hay muchas anécdotas en mi familia, unas que no es bueno dejar salir a la luz y otras como la  siguiente que contaré. Uno de mis bisabuelos, que era médico, fue desterrado por siempre a Tierra Solitaria, Yucatán, por dar a conocer su opinión y ser revolucionario a final del sXIX y principios del sXX." ELISE BAÑUELOS I "En 1900 mi abuelo, un inspector de policía, tomó lugar en los rangos del Ejército Republicano para luchar contra la dictadura de Franco en España. Ascendió con el paso de los años a Teniente de Artillería y en la Batalla de Murcia contra la 4ª Brigada Franquista perdió y pasó tres años encarcelado en Madrid. Al salir, la causa ya se había perdido y los miembros republicanos, pensadores, poetas y grandes personas de España fueron exiliados y el único lugar que les ofreció los brazos abiertos fue México bajo el mandato de Lázaro Cárdenas. Encontraron la doble nacionalidad y un país pacífico. La comunidad española floreció y forjó grandes industrias, escuelas e institutos. Mi abuelo trabajó como vendedor y sastre, ahorró y pudo traer a mi abuela a México unos años después. Nacieron mi tío y mi padre. Desde entonces mi familia ama a México por su gran ayuda en tiempos difíciles." DIEGO MACKEY

 
 

New York Film Academy Joint academic work

National Center for the Arts Theater co-production

NYFA I CNA I TV Work connecting Tecnológico de Monterrey with NYFA, CNA, and Televisa.