Co-producer and featured filmmaker in Documentary! New Trends New Formats MOOC (Massive Online Open Course) by Universidad Crlos III de Madrid for edX by MIT/Harvard University. “This course features new trends and formats in contemporary documentary film with a focus on innovative works in an interactive and multi-platform environment.”

 
 
 

OVERVIEW

PROGRAM

TRAILER

Documentary! New Trends New Formats

2015 Documentary! New Trends New Formats MOOC by UC3M for edX by MIT/Harvard University

MOOC Massive Online Open Course: course of study made available over the internet without charge to a very large number of people.

OVERVIEW [ENGLISH] “This course features new trends and formats in contemporary documentary film with a focus on innovative works in an interactive and multi-platform environment. It includes an overview of essential authors and genres, as well as the contribution of national and international scholars, professionals of the field and documentary makers. The learning experience is enhanced with videos, slideshows, infographics and timelines, to provide the learner with an interactive, reflective and entertaining experience.”

[SPANISH] “Este curso presenta las nuevas tendencias y formatos del documental audiovisual contemporáneo, prestando especial atención a las prácticas más innovadoras en un contexto interactivo, transmedia y multiplataforma. Incluye una aproximación a los géneros y autores fundamentales, y  cuenta con la participación de profesionales del sector, documentalistas y académicos. A través de vídeos, infografías, animaciones y timelines y un amplio repertorio de recursos y materiales complementarios, se busca ofrecer al  alumno claves creativas y eficaces en el momento actual.” I Site

TEAM Director: Pilar Carrera I Co-producers: Eva, Herrero, Clara Sáinz de Baranda, Pedro Valiente

PROJECT online course by Universidad Carlos III de Madrid

PLATFORM edX by MIT/Harvard University I edX Mooc

© 2015 UC3M I edX

Photo: Alfredo Miralles manager/artist at work for Crossing Stages UC3M European project at Frankfurt airport, Germany.

 
 
 

"I worked as associate lecturer (profesor asociado) on lectures in a Bilingual Program including Erasmus students, communication director for Crossing Stages European arts project, and co-produer of a MOOC for edX by MIT/Harvard University. 

edX selected three institutions to launch its first MOOCs in Spanish: Universidad Carlos III de Madrid, Universidad Autónoma de Madrid, and Secretary of Education of Mexico. Out of 20 projects, three were selected, and that’s how Documentary! New Trends New Formats was one of the first edX courses on documentary filmmaking.

Vicedean Pilar Carrera directed the project. Lecturer Eva Herrero worked mostly on academic development and production. Along with lecturer Clara Sáinz de Baranda, we supported academic work and contributed to produce media content. On the side, my work was featured through a documentary film and interview.” —PV

UC3M Projects

Photo: In the frame of Documentary! New Trends New Formats, the series is a visual practice in Paris for Crossing Stages, European arts project by U3CM. It shows people on black/white as (traditional) non-fiction in contrast with elements of same locations on black/blue as (experimental) non-fiction.

 
 

edX Trailer (1:57)

[ENGLISH] This mooc is divided into the following segments: 01 Documentary film is in vogue 02 Flashback: Introduction to documentary film history 03 Web documentary: Reinventing documentary film on the Internet 04 Cyberactivism and political documentary in a viral ecosystem 05 F for Fake or false documentary moving to the rhythm of social networking 06 News and thematic documentary: Nature, culture, history, science 07 Creative documentary film in times of crowdfunding 08 Brand-Documentary: New strategies in advertising.

[SPANISH] Este mooc consta de los siguientes módulos: 01 El documental está de moda 02 Flashback: Introducción a la historia del documental 03 Documental web: Reinvención del documental en Internet 04 Ciberactivismo y documental político en el ecosistema viral 05 F for Fake o falso documental a ritmo de social networking 06 Documental de divulgación: Naturaleza, cultura, historia, ciencia 07 Documental de creación en tiempos de crowdfunding 08 Brand-Documental: Nuevas estrategias publicitarias. —edX I edX Mooc

Mooc Episodes

 
 
 

MIT Open Documentary Lab I edX MOOC I edX BIO I edX PDF I edX TRAILER I Indilibre I Coursebuffet I CCSubs

Links

 
 
 

edX Overview

edX Mooc

Photo: © 2015 UC3M I edX

 
 

edX Syllabus

edX Presentation I Syllabus PDF

Photo: © 2015 UC3M I edX

 
 

Black

edX Featured

Documentary! New Trends New Formats presents Pedo Valiente’s film work screening Cuba 15 short film, and an interview at Puerta de Toledo (UC3M) in Madrid, both as part of a MOOC episode including related content and practice.


 

edX Interview (6:05)

“A documentary film is a way of artistic expression that, more than capturing reality, transforms it.“

Interview on edX

Interview

Cuba 15 (14:46)

“With passion and uncertainty, Tzunami Ortega Coyra lives the crossroads between childhood and womanhood through the traditional quinceañera celebration.” IMDb I Best Short Film Jury Award & Audience Award, Berlinale (Panorama), Emmy Award nominee.

Cuba 15 on edX, aired on POV PBS

Film

 
 
 

edX Interview

Written version


 

On MIT: MIT Open Documentary Lab:

On edX: edX MOOC I edX BIO I edX PDF I edX TRAILER

On edX Mooc: Film I Interview

On Flying Fish Work: Site I Behance

Waht is for you documentary filmmaking?

A documentary filmmaking is a way of artistic expression that, more than capturing reality, transforms it.

Which are the subjects of your films?

Looking life through documentary filmmaking, besides a need it’s a true passion. Subjects and above all characters come my way especially in non-fiction projects. It may be different working on fiction or theater.

What’s the aim of your film work?

Living in different countries has inspired my work. Back in Spain, it’s happening too. Filmmaking is a character in action on a visual context. Character is essential. In my work on non-fiction, real people turn into characters as the soul of documentary filmmaking. I’m intrigued by their dreams, and challenges that raise in their life.

Can you tell us about one of your films?

New York Spin is my first documentary feature film. Running time is 87min with a 60min version for television. Before returning to his country, a foreigner wants to take the best of his llife in the city which happens to be the spirit of the people that he met. In filmmaking, like in art, there are starting and ending points as what is fascinating is your experience through the journey: as artist and human being. New York Spin turned into a multicultural portrait of the city since my friends were actually from different countries, ethnics and faiths. The convergence of sensitivities and life projects gave the film its local flavor but also a way to connect with people from many walks of life.

How technology is affecting filmmaking?

Digital technology enters documentary filmmaking and cinema as well as our lives. I’m convinced that it’s not only a distribution tool, it’s a vehicle for creativity. For a long time, cross-media has been designed for a variety of platforms. Now, transmedia offers the possibility not only for difussion but for developing content.

Do you use technology in your projects?

Reality is what it is, but life is audiovisual. Our daily life is connected to visual media. Above all to smart phones: through them, we live, breath, feel, create, work… also in cinema and documentary filmmaking. Now, in times of citizen journalism, it’s true that everyone can make non-fiction, but I think that for professionals and artists, it’s worth it considering technology as it opens new ways of expression.

Do you think on screening devices for your films?

As a filmmaker with a background on literature and performing arts, my work blends these languages. Last month, we went to Northern Mexico to make what I call portraits in motion of a Tarahumara family. There is a traditional side, anthropological or National Geographic style, but it’s añso conceived from start not for the conventional screens of movie theaters or television, but for online platforms. It’s a tarnsmedia project on multiple screens than may bring life that happens to be interactive, flexible and open.”

Interview

 
 

Alfredo Miralles manager/artist at work for Crossing Stages UC3M European project filming with a smart phone in Italy. Photo for edX MOOC cover.

Behind Scenes